
Georgia O'Keeffe & New Mexico: A Sense of Place
When Georgia OâKeeffe first visited New Mexico in 1917, she was instantly drawn to the stark beauty of its unusual architectural and landscape forms. In 1929, she began spending part of almost every year painting there, first in Taos, and subsequently in and around Alcalde, Abiquiu, and Ghost Ranch, with occasional excursions to remote sites she found particularly compelling. Georgia OâKeeffe and New Mexico is the first book to analyze the artistâs famous depictions of these Southwestern landscapes.
 The book examines the magnificence of OâKeeffeâs work through essays by three noted authors. Barbara Buhler Lynes, Curator of the Georgia OâKeeffe Museum and organizer of the exhibition, discusses the relationship of the artistâs paintings to the places that inspired her.
Frederick Turner offers an illuminating essay contrasting OâKeeffeâs fabled aloofness from the well-established art colony in Santa Fe with her intense closeness to the local landscape she so fiercely loved. Lesley Poling-Kempes furnishes a fascinating chronicle of OâKeeffeâs years in the region as well as a useful explanation of the geological forces that produced the intense colors and dramatic shapes of the landscapes OâKeeffe painted.
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When Georgia OâKeeffe first visited New Mexico in 1917, she was instantly drawn to the stark beauty of its unusual architectural and landscape forms. In 1929, she began spending part of almost every year painting there, first in Taos, and subsequently in and around Alcalde, Abiquiu, and Ghost Ranch, with occasional excursions to remote sites she found particularly compelling. Georgia OâKeeffe and New Mexico is the first book to analyze the artistâs famous depictions of these Southwestern landscapes.
 The book examines the magnificence of OâKeeffeâs work through essays by three noted authors. Barbara Buhler Lynes, Curator of the Georgia OâKeeffe Museum and organizer of the exhibition, discusses the relationship of the artistâs paintings to the places that inspired her.
Frederick Turner offers an illuminating essay contrasting OâKeeffeâs fabled aloofness from the well-established art colony in Santa Fe with her intense closeness to the local landscape she so fiercely loved. Lesley Poling-Kempes furnishes a fascinating chronicle of OâKeeffeâs years in the region as well as a useful explanation of the geological forces that produced the intense colors and dramatic shapes of the landscapes OâKeeffe painted.











